FREE HAWAI`I
Thursday, February 26, 2026
ENDS TOMORROW - YOUR CHANCE TO HELP SHAPE THE FUTURE OF MAUNA KEA
The Mauna Kea Stewardship and Oversight Authority is in the final stage of gathering public input for the Comprehensive Management Plan.
The community survey will close tomorrow, Friday, Feb. 27.
If you have not yet completed the survey, or would like to provide additional input beyond what was shared at a workshop, we strongly encourage you to do so before the deadline. This is the final opportunity in this phase of engagement to ensure your perspectives are reflected in the plan.
The decisions made through this process will help shape the future stewardship of Mauna Kea. Broad participation is essential.
SURVEY: https://selfserve.decipherinc.com/.../self.../205d/260103...#?
Or go to: http://kuaowakea.org
Workshop recordings, educational resources, and updates remain available at kuaowakea.org.
We urge you to participate and to share this survey with others who care about Mauna Kea.
Wednesday, February 25, 2026
FREE HAWAI`I TV
THE FREE HAWAI`I BROADCASTING NETWORK
“WHO WANTS TO BRING SPACE WARS TO MAUI?"
What If The US Wanted To Build A Telescope Atop The Vatican.
Thatʻs Outrageous & Crazy, You Say?
Well, The US Military Wants To Do Exactly That On Maui.
Watch This For Details & Why It Must Stopped.
Sunday, February 22, 2026
A CHURCH WITHOUT WALLS ON “VOICES OF TRUTH - ONE-ON-ONE WITH HAWAI`IʻS FUTURE"
"A Church Without Walls - A Visit With Moanike`ala Nanod-Sitch"
Not too many people can say they became a minister because they played around with a telephone as a kid. But thatʻs what happened to Moanike`ala Nanod-Sitch as a little girl. Today Moani is pastor of a Hawaiian church with a congregation but no building, because they go wherever theyʻre called for help in the community and that includes church members getting arrested for protecting both places and people. Join us in our inspirational morning walk with Moani and youʻll see why the phone she once played with as a child helped her answer a much bigger call - Watch It Here
Now you can become a fan of Voices Of Truth on Facebook by clicking Here and see behind the scenes photos of our shows and a whole lot more.
Voices Of Truth interviews those creating a better future for Hawai`i to discover what made them go from armchair observers to active participants. We hope you'll be inspired to do the same.
Voices Of Truth airs throughout Hawai`i on all islands and reaches over 24 million households across the US and throughout the world. Check your local cable TV listings.
For news and issues that affect you, watch Free Hawai`i TV.
And for news from a kanaka point of view, watch Free Hawaii News.
All a part of the Free Hawai`i Broadcasting Network.
Please share our Free Hawai`i Broadcasting Network videos with friends and colleagues. That's how we grow. Mahalo.
Friday, February 20, 2026
FREE HAWAII NEWS SHORT
WHAT DO THESE TWO PLACES HAVE IN COMMON?
Want More? Watch The Full Episode Here - FreeHawaiiNews.com
Thursday, February 19, 2026
FREE HAWAI`I
From The Official Facebook Polynesian Leaders Group Platform
Introducing Hawaii
His Excellency Leon Kaulahao Siu is the Minister of Foreign Affairs for the Kingdom of the Hawaiian Islands (Ke Aupuni Hawaii Ko Hawaii Pae Aina), also known as the Hawaiian Kingdom.
Minister Siu has been a frequent representative of the Hawaiian Kingdom as an invited Observer to the Meetings of the Polynesian Leaders Group, since 2018, when the Polynesian states of Hawaii, New Zealand (Aotearoa) and Rapanui (Easter Island) were admitted as Observer Members of the PLG.
Foreign Minister Siu is from the tiny fishing village of Miloliʻi on the island of Hawaiʻi. He has a diverse background in native arts, fine arts and media. He is an accomplished visual artist, musician, vocalist, recording artist, composer, poet, author, producer and director of audio, film and video. He is known for his work in cross-disciplined, cross-cultural, multi-arts projects.
Mr. Siu is the only Hawaiian to have a composition recorded by the prestigious London Symphony Orchestra. He has composed soundtrack music for award-winning documentary films, including the 1977 National Geographic film, The Voyage of the Hōkūleʻa, a Polynesian voyaging canoe that 40 years later, circumnavigated the globe to emphasize the need to care for Planet Earth. Mr. Siu has created numerous recordings in a variety of musical genres. He remains active in producing audio and video recordings and performing in various venues throughout the Hawaiian Islands and occasionally abroad.
Mr. Siu is one of the leaders involved in a spiritual and cultural revival among Hawaiians. As an extension of that, he is also an overseer of global spiritual gatherings that serve to affirm in indigenous peoples around the world the beauty, grace, strength and purposes of the Creator within native traditions and cultures.
Mr. Siu is an astute political analyst, strategist and activist and has received several awards and recognition for his work in affecting public policy. He is engaged in communicating the message of liberation for Hawaii to the United Nations, the European Union and other international bodies, raising awareness of the continuity of the Hawaiian Kingdom throughout the global community.
Mr. Siu is a popular speaker at colleges, seminars, conferences, community gatherings, webinars, podcasts and other platforms on topics ranging from, ancient and modern Hawaiian history and culture, to American pop culture, to the arts, to current events and local and international politics. He has a notable presence in print and a wide range of electronic media in Hawaii and internationally.
Minister Siu is the co-author (along with Prof. Dr. h.c. Mehmet Sükrü Güzel) of the expositional book, Modus Vivendi Situation of West Papua (2018). Mr. Siu also served as editor for the seminal books, Perpetuated in Righteousness by Dr. Daniel K. Kikawa and Hawaii the Fake State; A Nation in Captivity (2008), by the late Aran A. Ardaiz.
Hawaii
The Hawaiian Kingdom is in the process of being restored as a
sovereign, independent country. As it’s Foreign Minister, Mr. Siuʻs
duties are: to raise international visibility for the Hawaiian Kingdom; to facilitate the normalization and resumption of diplomatic relations; and to engage in matters of mutual interests and concerns. Minister Siu is a strategist and proponent for self-determination and for ending all forms of colonialism.
He has led the Hawaiian Kingdom’s engagement in global dialogs on sustainability, sea level rise, demilitarization and the banning of nuclear weapons. He participated in international conferences at Columbia University on the threat to national sovereignty due to sea-level rise and the reunification of the Korean Peninsula. He is also involved in discussions on development, economic, environmental and security issues in the Pacific with various regional organizations such as the Melanesian Spearhead Group, the Pacific Islands Development Forum, the Polynesian Leaders Group and the Pacific Islands Forum.
Minister Siu was nominated for the 2017 Nobel Peace Prize for his collaborative work in advocacy of independence for West Papua. Also in 2017, he was a recipient of the Decree of Consecration Diploma and Gold Medal UN Peacemaker Sergio Vieira de Mello Award (Brazil). In 2015 he was awarded the Knight Grand Cross of the Order of Kamehameha for meritorious work in representing the Hawaiian Kingdom in international affairs.
Wednesday, February 18, 2026
FREE HAWAI`I TV
THE FREE HAWAI`I BROADCASTING NETWORK
“HOW DID YOU CELEBRATE VALENTINEʻS DAY?"
Not Everyone Has A Happy Valentineʻs Day.
Unfortunately Captain James Cook Was One Who Didnʻt.
So What Did He Do To Actually Get Himself Killed?
Watch This But Beware Because It Wasnʻt Only In Hawai`i That He Tempted Fate.
Monday, February 16, 2026
Sunday, February 15, 2026
ANSWERING A CALL FOR HELP ON “VOICES OF TRUTH - ONE-ON-ONE WITH HAWAI`IʻS FUTURE"
"A Church Without Walls - A Visit With Moanike`ala Nanod-Sitch"
Not too many people can say they became a minister because they played around with a telephone as a kid. But thatʻs what happened to Moanike`ala Nanod-Sitch as a little girl. Today Moani is pastor of a Hawaiian church with a congregation but no building, because they go wherever theyʻre called for help in the community and that includes church members getting arrested for protecting both places and people. Join us in our inspirational morning walk with Moani and youʻll see why the phone she once played with as a child helped her answer a much bigger call - Watch It Here
Now you can become a fan of Voices Of Truth on Facebook by clicking Here and see behind the scenes photos of our shows and a whole lot more.
Voices Of Truth interviews those creating a better future for Hawai`i to discover what made them go from armchair observers to active participants. We hope you'll be inspired to do the same.
Voices Of Truth airs throughout Hawai`i on all islands and reaches over 24 million households across the US and throughout the world. Check your local cable TV listings.
For news and issues that affect you, watch Free Hawai`i TV.
And for news from a kanaka point of view, watch Free Hawaii News.
All a part of the Free Hawai`i Broadcasting Network.
Please share our Free Hawai`i Broadcasting Network videos with friends and colleagues. That's how we grow. Mahalo.
Saturday, February 14, 2026
KE AUPUNI UPDATE - FEBRUARY 2026
“What Happened to Hawaii” at the Superbowl
It was not just a mention of “Hawaii”, but a reference to “what happened to Hawaii”. To English-speaking viewers, the 2026 Super Bowl halftime show looked like a joyful, high-energy performance. Not being Spanish speakers, we didn’t know until later that Ricky Martin’s performance of Bad Bunny’s song, “Lo Que Le Pasó a Hawaii” (What Happened to Hawaii) was a direct warning for Puerto Rico to be careful with their future, so “what happened to Hawaii” doesn’t happen to Puerto Rico.
Here is a translation of the chorus.
They want to take my river and my beach too
They want my neighborhood and grandma to leave
No, don't let go of the flag nor forget the lelolai
'Cause I don't want them to do to you what happened to Hawaii.
The word, lelolai refers to a traditional Puerto Rican musical vocal technique, often used in jíbaro (folk) music. It acts as a symbol of cultural identity, pride, and resistance, with the lyric "no olvides el lelolai" urging Puerto Ricans to maintain their heritage and resist assimilation, similar to the Hawaiian concept of ea (sovereignty).
One of our main challenges is “invisibility”. We think because we’ve been immersed in restoring Hawaii’s sovereignty the last 30-40 years, that the rest of world knows what we’re talking about. Well, they really don’t.
Most people have never heard that there is an active independence movement in Hawaii. In fact, only a relatively small number of people here in Hawaii (including Kanaka Maoli) have seriously thought about it.
Most people around the world have no clue that there really is a problem with Hawaii being a State of the United States. And those who know there is a problem, think there’s no way to fix it.
The main challenge facing us is that most people can’t see us… and those that do, have a distorted view. Through decades of false narratives, the US has successfully kept our nation hidden in plain sight by giving the world a counterfeit image of who we are… friendly, docile, contented people living in paradise.
People who have gotten used to seeing us in a certain way need to begin seeing us in a different way. We need to set the record straight and recalibrate our image and our future.
Not only did Bad Bunny put Puerto Rican independence in front of 128.2 million viewers, he also put what happened to Hawaii in front of 128.2 million viewers. Now that’s exposure!
This is how we reach the masses. Not through more scholarly studies or court briefs; not through plodding documentaries, but through the popular media. It’s time to show and tell our story to the nations!
Mahalo nui to Bad Bunny and the NFL for putting What happened to Hawaii on the global stage.
Aloha ʻĀina —
“Love of country is deep-seated in the breast of every Hawaiian, whatever his station.” — Queen Liliʻuokalani
Ua mau ke ea o ka ʻāina i ka pono.
The sovereignty of the land is perpetuated in righteousness.
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For the latest news and developments about our progress at the United Nations in both New York and Geneva, tune in to Free Hawaii News at 7 PM, the first Friday of each month on ʻŌlelo Television, Channel 53.
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"Remember, for the latest updates and information about the Hawaiian Kingdom, check out the twice-a-month Ke Aupuni Updates published online on Facebook and other social media."
PLEASE KŌKUA…
Your kōkua, large or small, is vital to this effort...
To contribute, go to:
• GoFundMe – CAMPAIGN TO FREE HAWAII
• PayPal – log in to PayPal and pay to the account, info@HawaiianKingdom.net
• Other – To contribute in other ways (airline miles, travel vouchers, volunteer service, etc...) email us at: info@HawaiianKingdom.net
Malama Pono,
Leon Siu
Hawaiian National
Friday, February 13, 2026
FREE HAWAII NEWS SHORT
WHAT ARE BOWTIES DOING ON THIS BOWL?
Want More? Watch The Full Episode Here - FreeHawaiiNews.com
Wednesday, February 11, 2026
FREE HAWAI`I TV
THE FREE HAWAI`I BROADCASTING NETWORK
“HAVE YOU BEEN ASKING THE WRONG QUESTIONS?"
No Wonder Youʻve Been Getting All The Wrong Answers.
Youʻve Been Asking Al The Wrong Questions.
So What Does This Have To Do With A Free Hawai`i?
Watch To Discover Why It Could Solve Everything.
Tuesday, February 10, 2026
IS THERE A CONNECTION BETWEEN HAWAI`I & PUERTO RICO IN BAD BUNNYʻS HALF TIME PERFORMANCE AT THE SUPER BOWL?
Why Bad Bunny’s Super Bowl Halftime Show Mattered - and Why It Moved So Many Hispanics to Tears
To English-speaking viewers, Bad Bunny’s Super Bowl halftime show looked like a joyful, high-energy performance: Spanish music, dancing, famous guests, and a festive atmosphere. But for millions of Hispanic and Latino viewers - especially Puerto Ricans and immigrants - it was something far deeper. It was emotional. It was heavy. And for many, it was overwhelming in a way that led to tears.
This was not because of celebrity or spectacle. It was because the performance reflected a lived reality - one that is rarely allowed to exist fully or honestly on America’s biggest cultural stage.
Spanish wasn’t a feature - it was the foundation
From the opening moment, the show made something unmistakably clear: Spanish was not being translated, softened, or treated as an accessory. It was the dominant language. Fo rus, Spanish is the language of home, of parents and grandparents, of memory, discipline, laughter, and prayer - but also the language they’re often told to hide or “fix” in public.
Hearing Spanish fill the Super Bowl without apology felt like recognition. It said: Our language doesn’t need permission to exist here.
Building “La Casita”: placing home at the center
Instead of a futuristic or abstract stage, the performance was built around a modest Puerto Rican home - “La Casita.” This was not decoration. It was narrative.
For Puerto Ricans and Caribbean Latinos, home is deeply emotional. Some were raised on the island. Some were raised far from it but shaped by it. Some lost their homes to hurricanes, economic collapse, or forced migration. Seeing a familiar home placed at midfield - on the most watched stage in the country - felt intimate and validating.
It was a declaration: This is not background culture. This is a center.
The neighborhood came with it: food stands, street life, and community
Surrounding the house were details that many viewers may not have consciously registered but many Latinos felt immediately: street food stands, informal vendors, and the open flow of neighborhood life.
In Latino communities, food stands are how families survive, how culture is passed down, how neighbors know each other. The street is not just infrastructure - it’s an extension of the home. Life happens outside, together.
Seeing these everyday realities represented—not romanticized, not caricatured - felt like being seen accurately rather than symbolically.
The electric poles: power, neglect, and survival
One of the most powerful visual moments for Puerto Rican viewers was the sight of dancers climbing electric poles.
This may have looked like dramatic urban choreography. To Puerto Ricans, electric poles are loaded symbols. They represent years of unreliable power, constant blackouts, government neglect, privatization failures, and the aftermath of hurricanes that left people without electricity for months or years.
Images of fallen poles and people risking their lives to restore power are part of collective memory. In many cases, communities had to climb, reconnect, and improvise because no one else came.
By placing bodies on those poles, the performance wasn’t just referencing electricity. It was referencing resilience. It said: When the systems failed us, we climbed back to the light ourselves.
That image alone carried years of frustration, grief, and strength - and it needed no explanation for those who lived it.
Reggaetón as legacy, not trend
Bad Bunny did not present reggaetón as a modern novelty. He honored its pioneers - artists who built the genre when it was dismissed as inappropriate, dangerous, or unworthy of mainstream respect.
Reggaetón was once something parents worried about, schools banned, and media mocked. Seeing it treated as heritage - on the Super Bowl stage - felt like long-overdue validation.
It wasn’t just music. It was history finally being acknowledged.
The diaspora was acknowledged
The performance also spoke directly to Latinos living between worlds - the diaspora. References to iconic community spaces and shared cultural landmarks recognized that Latino identity doesn’t disappear when people migrate.
To us, this mattered deeply. It said: You are not diluted. You are not “less than.” Your experience is real.
Ricky Martin and “Lo Que Le Pasó a Hawaii”: history speaking to the present
Ricky Martin is not just a guest star. For Puerto Ricans, he represents an earlier generation—artists who fought for visibility in American pop culture when Spanish-language music had to be softened, translated, or reshaped to be accepted.
The song itself carries deep symbolic meaning. Its title - “What Happened to Hawaii”—has long been understood as a reflection on colonization, cultural erasure, and what happens when a place is slowly transformed by outside control. For Puerto Rican audiences, the parallel is unmistakable. It speaks to fears of displacement, loss of land, loss of autonomy, and the feeling of watching your home change in ways you didn’t choose.
That moment connected generations. It said: This didn’t start with us. And it isn’t over.
The child: fear, memory, and the immigrant experience
A quiet but heavy element of the performance was the presence of a young boy woven into the show’s imagery. For us Latino viewers, the child symbolized something painfully familiar: children shaped by immigration fear, instability, and the possibility of separation from family. Even without a literal backstory, the image resonated deeply. It reminded people of growing up cautious, of learning fear early, of understanding vulnerability before understanding safety.
That is why the moment felt heavy. It wasn’t abstract - it was personal.
Joy was the protest
Despite these themes, the performance was joyful. And that was intentional. Latino joy is often treated as excessive or threatening. By choosing celebration instead of anger, Bad Bunny made a statement: We don’t need to perform suffering to be legitimate. Joy didn’t erase the struggle. It existed alongside it.
Redefining “America”
Near the end of the performance, flags from across the Americas appeared. This wasn’t random. In much of the Spanish-speaking world, “America” refers to the entire hemisphere - not just one country. The message was subtle but powerful: America is bigger than one language, one culture, or one story. It challenged a narrow definition of belonging and replaced it with a broader one.
Why the backlash mattered
Criticism of the performance—especially objections to its language and cultural focus—only reinforced its importance. That resistance was familiar. It echoed a lifetime of being told their culture is welcome only when it is quiet, decorative, or invisible. Seeing that tension play out publicly confirmed what many already knew - visibility still comes at a cost.
Why Hispanics cried
People didn’t cry because the performance was flashy. They cried because:
Their language was honored, not translated.
Their homes were shown as worthy, not exotic.
Their struggles were acknowledged without being exploited.
Their joy was allowed to exist unapologetically.
Their resilience was recognized without explanation.
This performance didn’t ask for acceptance.
It asserted presence.
For once, millions of people who have spent generations adapting themselves to fit America watched America adapt to them.
That is why it mattered. That is why it hurt. That is why it healed. And that is why so many Hispanics were in tears.
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